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- By Katherine Foster
- 10 Sep 2026
Paul Bailey, who passed away last year at 87, was renowned for a witty genius, intense sympathy including for his deeply imperfect creations, and a cleverness that never felt cold. His literary works often explored the influence of recollections within personal journeys, driven by sharp, rhythmic dialogue. In addition to storytelling, he was also a poet, memoir writer, and additional roles—here is a guide to the volumes he authored.
Bailey was a gregarious individual, an excellent talker fond of casual small talk, as one character notes. Alongside pal fellow writer Beryl Bainbridge would watch the serial drama Coronation Street and analyze it telephonically. This pleasure in chatty conversations appears within his fictional works the novel Trespasses (from 1970) along with the title Peter Smart’s Confessions (released in 1977). Each includes a main male protagonist encircled by funny, annoying, over-the-top characters, often close relatives whose influence is inescapable. “Who wants to be normal anyway?” asks the mother of Ralph in Trespasses when he reveals he is gay. Like an evening with your smartest, cheekiest pal.
Paul Bailey authored superbly on old age, throughout his literary path. His initial fiction the novel At the Jerusalem (published in 1967) traces the life of Faith Gadny while she adapts to a care facility, where other occupants provide kindness lacking from staff, whose engagement by asking “Why aren’t you ladies watching the television?”. In his penultimate novel Chapman’s Odyssey (released in 2011), an elderly hospitalized man alternates between disputing with medics (“I only drink superior wines”, he affirms following criticism of his liver) and experiencing a rush of recollections of his mother, lovers, literary figures including Pip by Dickens and Emma by Austen. Each volume contain humorous dialogues but marked by the inevitable conclusion. In his stories, smiles are deceptive. Within At the Jerusalem, “the matron smiled, shut the smile off quickly”; Faith Gadny chuckles anxiously if her actions are questioned. In Chapman’s Odyssey, Harry cautions that “my smiles aren’t what they seem”. Readers’ smiles, however, are authentic.
Apart from his stories, The author excelled as a talented life writer, issuing two personal accounts. the memoir An Immaculate Mistake (published in 1990) stands as a masterpiece of recollection, its title derived from his mother’s words that “You were our mistake. You ought not to be here, by rights.”. (“She was old now, and letting go of her secrets,” he adds. “This one, she knew, would be of particular interest to me.”) Within these pages appear the roots of flawed, caring, annoying mothers and fathers in his novels. It likewise portrays a moving picture of a homosexual young man during the mid-20th century, when same-sex acts were criminal, and his kin viewed it as suspicious if a male child gifted blooms to his parent; and of an aspiring actor (Paul Bailey performed prior to authoring) who memorized Hamlet at 15. His follow-up autobiography A Dog’s Life (2004) centers on days with his pet Circe, his ex-partner David, his fondness for Romania—which inspired future works including the novel Kitty and Virgil, the title Uncle Rudolf, plus The Prince’s Boy—and plenty of gossip, featuring an anecdote about Iris Murdoch dubbing a participant a “stupid cow”.
The author’s fiction are generally brief—the powerful Old Soldiers (1980) is under 100 pages—but for something shorter, explore his poems in his final phase. The two collections Inheritance (from 2019) and also Joie de Vivre (2022) display his cleverness, sympathy, exactness in small packages. These poems are rich with mortality and existence. Two romantic motifs repeat: about his parent (“I’m closer to you now – / I need to tell you – / than I ever was in life”) and for his partner Jeremy Trevathan. Within the poem Amazement, he describes the pleasure in viewing “a silly TV show” as a couple, finishing with: “It’s amazing, somehow, to eat cheese and sip wine while the world darkens.”
It is widely accepted that Paul Bailey’s boldest work is the novel Gabriel’s Lament, nominated for the Booker in 1986. (He also judged the prize in 1982, an experience he despised.) This was the book the author was most proud of, even though “it exhausted him completely”. It relates the narrative of Gabriel Harvey, whose mum disappears and whose father turns into a intolerable pretentious person upon receiving money, and the events may link. It’s a depiction of London in the 1900s, a story of mental breakdown, and both comic and tragic as anything Bailey wrote. Additionally, it prompted a sequel, Sugar Cane (from 1993), which Bailey researched by visiting brothels as an observer.
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